In September 2006, California progressive-rock outfit Dredg—whose conceptual albums like El Cielo (2002) blend art-rock with alternative vibes, earning cult acclaim for atmospheric narratives—wrapped a two-night stand at Santa Cruz's The Catalyst club, a hometown-adjacent venue for the Los Gatos natives. The second evening, devoted to a full El Cielo rendition, spanned about 90 minutes featuring tracks such as "Ode to the Sun" (an opener from Catch Without Arms), "Jamais Vu," and "Bug Eyes," segueing into the album suite from "Brushstroke: Debtfoabaaposba" to "Canyon Behind Her," emphasizing improvisational jams and guitarist Drew Roulette's emotive solos. Attendees, per blogs like LatinDrummer, called the gig "beyond stellar" with flawless mixing and the band in peak form, highlighting the crowd's frenzied response, though some forum fans lamented integrations from Catch Without Arms; recently 4K-remastered, the show endures as a fan icon, signaling the group's pivot toward heavier tones ahead of The Pariah, the Parrot, the Delusion.