In July 2014, at Boom Festival—Portugal's biennial psychedelic trance and world music gathering born in 1997 as an experimental oasis on the Spanish border, where 35,000 nomads converge for sonic and visual rituals—Ukrainian guitarist Estas Tonne, master of acoustic flamenco with percussive illusions and the album Road to Utopia (2014), delivered a meditative performance on the central stage. His 30-minute set, where Tonne's fingers conjured a shadow orchestra from a classical guitar, embodied the festival's climax, with improvisations echoing through nature to induce trance among a thousand under stars. A rare artifact of his shift from underground solos to global rituals, this appearance transmuted the stage into a mysticism portal.