In March 2016, British electronic outfit Underworld—whose albums like Beaucoup Fish (1999) cemented their status as techno and trance pioneers with millions sold—performed at the BBC 6 Music Festival in Bristol, capping an event dedicated to alternative music. The 90-minute set, filled with hypnotic beats and Karl Hyde’s improvisations, blended pulsating rhythms with visual effects, forging a club-like vibe within a festival framework. The performance stood out for its electrifying energy, marking a triumphant return post the release of Barbara Barbara, We Face a Shining Future, and showcasing their ability to bridge electronic music with a broad audience.